O9A Transgression And Subversion

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O9A Transgression And Subversion
(pdf)

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In the above essay the Order of Nine Angles (ONA, O9A) is discussed in relation to two articles by the same anonymous author which were published in 2018 by a popular internet based music magazine. One of which articles – Beyond The Iron Gates: How Nazi-Satanists Infiltrated the UK Underground – was devoted to the O9A, with the other – titled Why We’re Investigating Extreme Politics in Underground Music – dealing with artistic transgression, subversion, and infiltration, in general.

As we reveal, the article about the O9A is ill-informed, while the other article reveals a lack of understanding of artistic transgression and subversion. As we go on to note, the O9A defies classification according to mainstream, conventional, ideas, and appears to have taken “artistic transgression and subversion” to the next level.

That the anonymous author, in respect of the O9A, commits the fallacy of secundum quid et simpliciter [a generalization from specific examples] and the Fallacy of Incomplete Evidence was only to be expected.

Related to the above O9A essay is the following analysis by ‘us’ of a propaganda report on the O9A published in 2019 by an Establishment political ‘pressure group’ and hyped by mainstream Media, and in which report the author not only repeats the fallacies of secundum quid et simpliciter and of Incomplete Evidence, but also makes over twelve basic, factual, errors about the O9A and indulges in outright fabrications and misquotations.

Twelve Basic Errors
(The State Of Hate Report)

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The Picatrix, Ghayat al-hakim, And The O9A

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The Latin Picatrix, The Arabic Ghayat al-ḥakim, And The O9A Septenary System
(pdf)

Those who have studied the Renaissance Latin text known as the Picatrix, and those who have studied the more ancient Arabic text – Ghayat al-ḥakim – on which it is based, will be aware of three things.

First, that describing either book as an “astrological” text is a mistake, given (i) what the term astrology now denotes, such as the making of natal charts, and the writing of horoscopes based on Zodiacal constellations; and given (ii) that the classical Latin term astrologia denoted the Art (scientia) of knowing and understanding celestial objects – the stars and planets – and how these objects might affect mortals given that for ancient Greek and Roman philosophers we mortals were considered as connected to, as part of, the cosmic order, κόσμος.

Second, that the subject of Ghayat al-ḥakim – and thus of the Picatrix – is this connection and how a knowledge and understanding of the seven planets, of the Zodiacal constellations, and the relation between them, was a means whereby wisdom – an understanding of the cosmos, and of ourselves – could be attained […]

Third, how a septenary system permeates those two books.

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Editorial Note: The synchronicity of such recent O9A texts dealing with ancient Arabic esoteric manuscripts such as Ghayat al-hakim, and the appearance of Richard Moult’s latest Tarot image The Emissary with its Arabic inscription – أساسيون – is esotericism at its modern best.

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Related:

The Eludent Order Of Nine Angles
(pdf)

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Image credit: The Emissary, by Richard Moult.
Image source: https://starred-desert.com/2018/08/25/the-emissary/

The Emissary

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New Tarot image, from the Minor Arcana of Non Est Secundus Quia Unus Est, a book of Tarot archetypes by Richard Moult.

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Source: https://starred-desert.com/non-est-secundus-quia-unus-est/